Verbal Image Translation Analysis Based Upon Ian Flemings From Russia With Love :: essays research papers

This paper deals with the problem of verbal image translation from SL ( English ) into TL ( Ukrainian ). The research is base on comparison of the original 1 337p. and Ukrainian translation 2 190p. of Ian Flemings James seize From Russia With Love A few words should be mentioned about the author and his book . Ian Fleming ( 1908 1964 ) was a great journalist and detective stories writer . In 1931 he joined Reuters news agency, and during the World War 2 he was a personal assistant to the Director of Naval Intelligence at the admiralty, rising to the rank of commander . At this time he acquired the first-hand experience of secret operations . He started his first James Bond novel Casino Royale at the age of 44 , by which time he became the orthogonal manager of Kemsley Newspapers . He wrote it in the Golden Eye , the house he had built in Jamaica . James Bond has won Ian Fleming the world fame , being the superior British fictional icon of the late 20-th c. The book is a bout a British secret agent James Bond , on whom every major(ip) foreign government has a file, and whom the Russias deadly SMERSH organisation has targeted for elimination they have the perfect bait in the irresistible Tatiana Romanova . Her mission is to lure Bond to Istanbul and seduce him, while her superiors handle the rest . Bond walks into the trap but he is always the one to win .The language of this detective story is in the main unexpressive, unemotional, and the stylistic devices ( SD ) that the author uses are typical of the genre the lyrical images are absent, most of the SDs are used as the means serving to create the vulnerability of the cold, ruthless world of constantly alternating death and fight for survival . Artistic images mostly are stylistically neutral , as no or little expressiveness or emotional colouring is present in them . The same concerns the idioms and phraseologisms ( of which the verbal image is the basic constituting element 3 28 ) occurin g infrequently . The translated counterfeit of art is percepted as the artistic one only provided that it corresponds to artistic and stylistic tradition of the TL 3 28 .